KARAGIANNI DIMITRA


KARAGIANNI DIMITRA

    Dimitra V. Karagianni is a Philologist, Author, and Publisher. She graduated from the Faculty of Philosophy at Aristotle University of Thessaloniki and holds a Master’s degree in Modern and Contemporary History. She is the Director of Paremvasi Publications, Co-publisher of the literary magazine Paremvasi, and Coordinator of the organization’s cultural activities. She has been systematically involved in teaching Creative Writing to primary school children. For four years, she served as Head of the Culture Team of the Municipality of Kozani. She has also worked as a Journalist and Book Editor. She is a member of the Hellenic Authors’ Society and the Literary Society of Thessaloniki. In 2022, she was honored by the Hellenic Foundation for Culture as a Representative of Greek Culture.

    Her published works include: Locked in Safe Deposit Boxes: 25 Postscripts of an Era (Gavriilidis Publications, 2016), Images of Western Macedonia (Paremvasi Publications, 2020), The Philhellene Artists of 1821 (Paremvasi Publications, 2022), 32 Creative Writing Lessons for Primary School Children (Paremvasi Publications, 2023), and 5+1 Conversations on Literature (Paremvasi Publications, 2025). She has also participated in collective publications, including: Planet Earth: Literary Society of Thessaloniki Calendar 2024 (AO Publications), Violence Against Women: Literary Society of Thessaloniki Calendar 2023 (Rome Publications), Wingless Memory of Love: Alexandra Bakonika, Anna Griva (Rome Publications, 2021), and Giannis Stefanakis: From Abstract Landscape Painting to a Palimpsest of Meanings (Phoenix Publications, 2019). She has also contributed to the proceedings of the Paremvasi Literature Symposium, including When Literature Has the Scent of a Woman, 4th Literature Symposium (Paremvasi Publications, 2022), and Works and Days of the Most Important Philhellene Poet – Lord Byron in Focus, 8th Literature Symposium (E-book, Paremvasi Publications, 2025).

    She is actively engaged in matters concerning literature, art, and broader intellectual and cultural issues. She has designed and coordinated numerous cultural programs, conferences, publishing initiatives, and cultural development projects in collaboration with public and private institutions. She serves as Coordinator of the Paremvasi Literature Symposium, one of the most significant literary dialogue institutions in the Greek region. Her professional activity focuses on cultural management, the design of cultural programs, and the development of collaborations between cultural and institutional organizations. She has participated in international cultural initiatives related to literature and cultural heritage, while also exploring the role of culture as a tool for social cohesion and sustainable development. She has taken part in conferences, seminars, workshops, and presentations, and has published articles and studies in newspapers, blogs, and literary magazines. She has also worked professionally in music, songwriting, and singing, collaborating with well-known Greek artists.

 More about author: 
First name:  Dimitra
Last name:  Karagianni
Abstract text: 

WORDS

My paper, a white sheet tonight,
is sinking under words.
They pose once more inside my mind,
always stripped bare by thoughts.
Which of their lies is left to believe anymore?

Your words keep following me,
stumbling over my silence.
They balance over nothingness
just to measure my endurance.
My strength, a suffocated breath.

Speak to me of all we never lived.
Within us will live all we never said.
Speak to me of all we never saw,
of our great plans,
all those things that never came to be.

Your words keep following me,
to dance with me once again.
They come and go and return,
to wear time once more,
to believe again in our dreams.


STRAY SORROW

Lately death has been telling me something.
The firmament, grey,
spreads roots around me
like an immaterial image blurred by dust.

Lately death has been doing something to me.
As though something inside me dies twice,
tearing flesh from my flesh,
something like a stray sorrow, like a stray guilt.

Lately death has been telling me something.
Incomprehensible words, betrayed voices,
my life that leaves, my life that remains,
the life I abandon, the life that abandons me.
In a piece of earth, and there its life lies enclosed,
along with the one closest kindred soul it ever had.

So many years together have passed—
who knows how…
Where did the two of them meet, where were they lost
through the journeys of time…
Time rolled on in silence.

Now he gazes at her absent-mindedly.
Together. Until death do us part.
“Until death do us part…”
What immense words!
How many deaths, I wonder, does each person’s life contain?


THE ART OF LANGUAGE & OTHER ARTS

In the speechless world of living beings, which exist solely for their own continuation, sounds are their “language,” an echo from their unconscious paradise, where existence itself constitutes the highest value.

In our rational — let us say — world, words, speech, and written language are the invaluable gift that makes all the difference. This world of the twenty-four symbols of writing is our tangible paradise. And it is the written words — ordered, meaningful, and aesthetically placed one beside another — that form the fascinating expression of human thought… what we call literature: the art of language.

Literature, whether as the unique numerator in the fractions and equations of life and civilization, or as the common denominator among various other arts — chiefly the arts of the soul — complements them by emphasizing the creator’s principal object of expression, often clarifying meanings, correcting errors, and reconciling opposites.

Many questions and answers may arise from this. Yet whatever answer one gives, one thing remains certain: when literature is not the sole foundation upon which the edifice of the art of language is built, it still constitutes a living body from which wings of creativity easily emerge, touching the other arts.

At times literature intertwines so closely with other arts that together they become a remarkable union, whether the art of language leads or follows. The writer who experiments with painting, music, or other forms of art approaches them with a strangely persistent passion, as though fearing the loss of a secondary object of desire — one that, by its nature, can never be captured as completely as the primary one, though often the creator attempts this desperately.

In the world of artistic creation, the interpenetration of one art into another is common. Thus, we see people who excel in one artistic field turning toward another, either to remind others of a different aspect of themselves or to reveal one previously unknown — beyond the self they already know well or the one the public recognizes. They feel an inner need to express themselves differently, offering another dimension of their identity. In this way, many successful “invasions” into diverse artistic fields have emerged […]

 

*From the book “Locked in Safe Deposit Boxes: 25 Postscripts of an Era” (Gavriilidis Publications, 2016).

 


E-mail:  dimitrakarayianni@yahoo.gr
Website:  https://dimitrakarayianni.wordpress.com/